27.5cm x 19cm
Copyright Laura Hardie
What an honour it was to find that Gayle Mason of Fur in the Paint had selected my blog as one of five to receive the Arte y Pico award - thank you Gail. This is indeed a compliment as I am a big fan of Gail’s coloured pencil work, especially her cats, and highly recommend you take a look at her blog if you haven’t done so already.
For those not familiar with the award you might find the following of interest.
Arte y Pico Award Origin and Rules:
The Arte y Pico Award has arisen from the daily visits that are made to many blogs, by you, which nourish and enrich you with creativity. In them, you must see dedication, creativity, care, comradeship, but mainly, ART, much art. You want to share this prize with all those bloggers that entertain and enrich you day to day. Doubtlessly, there are many and it will be hard to pick just a few.
The Rules:
1. You have to pick 5 blogs that you consider deserve this award through creativity, design, interesting material, and also contributes to the blogger community, no matter of language.
2. Each award should have the name of the author with a link to their blog.
3. Award winners have to post the award with the name and link to the blog of the person who gave them the award.
4. Show these rules and the paragraph (above) explaining the awards origination.
I read many blogs (too many my husband would tell you) but the five artists I’d like to pass this award along to, for various reasons, are ….
Rhonda Bartoe Tucker
Sally Lancaster
Anya Tikomirova
Jeanette Jobson
Cindy Haase
All great artists I’m sure you’ll agree. I for one, thoroughly enjoy reading their blogs and looking at their art.
Thank you again Gayle for nominating my blog.
I have had a run of Black Labs to draw recently and this is the last of them - for now anyway. I have another to do in a couple of months which I’m looking forward to doing as they’re great dogs and I always enjoy drawing them. Need to stock up on my black pencils before then though.
Schools are back tomorrow so hopefully things will return to normal behind the easel with more work getting done. I never seem to settle into my routine when there are kids around as I‘m always being distracted with one thing or another – I have a daughter who has an aversion to walking and prefers to be chauffeured around, pretty much on a daily basis. When they’re at school I get the peace and quiet I need to concentrate on my work.
I have not long finished this black lab. He has been sat on my easel all weekend to look at and see if there are any areas that jump out at me needing attention before I call it finished. I always find leaving a drawing for a couple of days and giving your eyes a break from it highlights any areas that might need fixed or worked on. All that’s left to do now is to have it mounted/matted before it's shipped off to its new owner.
And yet another horse to add to my series. My reference for this one was taken from the many photos I took at the races back in July and is my first with bridle/reigns included. I spent the majority of my time there admiring the horses as they were taken around the parade ring and the rest of the time wishing I had a pass to go in and get closer to them. There are a few more race days to go before the end of the season so I might yet - provided I can find the confidence to ask around and enquire.
I’ll be taking a break from my horses for a bit while I turn my attention to commissioned work. My summer break is now over – or should I say my break from the easel as I didn’t go anywhere with sun, sea or sand but spent the majority of it stressed on the phone to Microsoft while trying to set up my new computer. For those interested (and if I can compose myself) it is STILL not working and I am no closer than I was three weeks ago to getting my prints.
To make matters worse the Microsoft technicians have apparently gone and added to the initial problems and can’t sort it out - unbelievable. I’m not exaggerating when I say I can be on the phone to them for up to 2 hours at a time and I’ve been on the phone to them numerous times so you can imagine my frustration. Grrrrrrrr, rant over before my blood pressure rises again.
And breath..... next up on the easel is a lovely Black Lab.
High Spirits
9x12, Coloured pencil
I’ve taken a break from my easel this week and instead spent much needed time trying to move data from one computer (my old one which is currently on its last legs) to another (a lovely new Mac, which lives in my studio). Normally this should be straightforward but, as with all things involving technology and myself, I’ve had nothing but problems resulting in me nursing a headache these past few days.
I really don’t want to bore you with the details but can tell you that I am no further forward than when I started out at the beginning of the week. I even have the experts at Apple Mac scratching their heads in bewilderment. I’d been doing everything right according to them, which is good to know at least - I’m obviously not as dim as I thought I was in these matters. They are now off to have a look at their manuals to see what/where the problem could be and I’m currently waiting on them to get back to me. All I want is to get my printer up and running so I can start working on the prints I’ve been promising to do for long enough. I am getting there, albeit painfully, and it shouldn’t be too long now.
Despite everything, I have managed to fit a bit of relaxing drawing time in and finished another horse I’ve had sitting on the easel for a while. I’m really pleased with this one considering it nearly ended up in the bin half way through it’s making.
Coloured pencil
10x14 inches
Audley and Lola
Private commission
And here it is, the finished portrait with both dogs together.
I never think this is a good time of year productivity-wise for me with the kids now on their school holidays. I’ve tried not to let talk of holidays or thoughts of lazing in the sun get in the way of my work but I suppose subconsciously it does - and I have six weeks still to go.
It’s not that I don’t put in the hours in the studio, I just don’t seem to get a lot done and I'm easily distracted. Unfortunately my easel is next to a window looking out onto our street and I’m spending too much time watching the world go by and not enough time drawing. It doesn’t help neighbours over the road are getting an extension as I keep checking to see what the builders are working on next - like I said, easily distracted. Maybe I should get my sketchbook out and sketch the goings on – at least that way I can warrant the time away from my easel.
There’s not much left to do now – just Lola’s mouth and collar plus touch ups here and there and it should be finished.
Tomorrow I will show you Lola - you can see a bit of her ear on the last pic.
Next on my easel are two black labs and I will blog my progress as I work on them. Also need to finish work for the UKCPS exhibition – closing date for entries is the 9th July so had better get a move on.
That just leaves the background to do, with all those greens (sigh). I know how I want to go with this and how I want it to look but somehow I don’t think my vision will materialise onto paper if I jump in and do this straight away. So I'm putting it to one side for a couple of days to go back to it with fresh eyes but also to give me time to play around with my paints and pencils and see what different shades of green I can mix - I prefer to mix/blend colours where possible as green straight from the tube can be too bright and garish, not what I am after. Lots of grass studies as well I think before I move on to the montage.

WIP
20X16 Coloured Pencil
All my art time has been spent recently working on a montage of two beautiful Border Collies. Being 20x16 inches and mainly in coloured pencil, it is taking many an hour to complete, with many still to go, but I do think the end result is worth it.
So far I have completed the main head studies and have made a start on the background (although you can't see this in the cropped pic above), which in this case will be a view of Irton Fell in Cumbria. Completing the background will be interesting as I’m at my least comfortable when it comes to working with greens, I always have been and probably always will. Thankfully there aren’t that many green animals about or I really would be in trouble:) I'm hoping, weather permitting, to get a photo showing the full montage soon - watch this space.
This is a drawing I started a while back and have now added a background to. I am someone who very rarely adds a background to their work, preferring to focus all my attention on the subject, and I want to explore this more. But I don’t know – when I don’t do a background I can feel something’s missing and if I do one I more often than not think it looked better without. Almost like it is taking something away from the subject. There really is no pleasing me sometimes.
Summer Breeze is one of those drawings where I felt a background was needed and when added I had no regrets. As far as backgrounds go it’s simple and uncomplicated but I’m pleased with how it turned out – enough to turn it into prints.
This’ll probably be the nearest I get to such an exhibition but had fun doing it all the same. If you want to have a go check out Museumr.
8x10 Graphite pencil
Private commission
Isn’t it strange how some papers are good for one medium but terrible with others. My paper of choice when working with coloured pencils is Fabriano Artistico hot pressed watercolour paper (140lb) – I love this paper and haven’t yet found one to top it. I even fought its corner with a fellow artist after she complained about it being terrible for working on with her watercolour paints. As far as I was concerned it could do no wrong, no matter what medium was used.
Imagine then my disappointment after discovering it is hopeless with watercolour (in my opinion). I’ve just spent the day fighting with the paper, willing it to love my watercolours, but alas, it wasn’t to be and the painting is now no more. Watercolour paints are not my forte and no doubt if they were I would have put up a better fight and at least finished the painting - even if deciding never to use the paper again.
I can't help feeling - however strange it may sound - that it had something to do with me not using my normal weight of paper, ie. 140lb, and instead used the 300lb. I know from experience that the heavier weight paper doesn't work well (again in my opinion) with coloured pencils so it might be the same with paint.
All in all a very frustrating day – I have to keep reminding myself that it wasn't wasted and instead is all part of the learning curve.

8x10 Graphite Pencil
Private Commission
A lot less frustrating, and certainly more enjoyable, was working on my latest commission - two pencil portraits of a brother and his sister. If I’m not drawing animals it’ll be people. Faces have always been a passion of mine - they continually fascinate me and I always get great enjoyment from drawing them.
My confidence received a much needed boost recently thanks to Mike Sibley. You will all have heard of Mike, I’m sure, and his website Starving Artists. This site was set up as a means to help promote emerging artists and their work and of which I am a proud member. Those familiar with Starving Artists will know about ‘the Editors Choice’ section on the front page where a different drawing /painting is chosen by Mike to go here each month. Well, I’m delighted to say, my drawing of Red was chosen for this month.
To say I was pleased is an understatement – there are so many talented artists, many whose work I admire a great deal, who are members here so I was up against excellent competition.
Mike had this to say about Red – “I admire this drawing by our Gold member Laura Hardie for its simplicity, accuracy, character, textures, rich and vibrant colouring... the list goes on. Laura has produced a great piece and her attention to detail gives life while not intruding on the viewing pleasure. It adheres to my favourite advice by Pierre Parisien: "Don't show me that what you are doing is difficult".
This really couldn’t have come at a better time for me – thank you Mike.